Purchase the Kindle Edition of THE MOST BEAUTIFUL WOMEN IN COMICS – VINCE COLLETTA, LIFE AND ART here.
Purchase the Kindle Edition of NUDES – THE ART OF VINCE COLLETTA here.
THE SINISTER HOUSE OF SECRET LOVE
COMIC BOOK ART – SOME INKING TECHNIQUES
JACK KIRBY, VINCE COLLETTA AND THOR – ASGARD REALIZED
A TIMELY AWAKENING FOR ROMANCE ART IN COMIC BOOKS
LOVE VINNIE COLLETTA? NO APOLOGY NECESSARY
WHO’S YOUR DADDY, THOR? – THE POWERFUL ODIN
A PHOTOGRAPHER’S JOURNEY – VINCE COLLETTA IN NEW YORK
For comic book aficionados, the Vince Colletta story begins in 1952. After art school and a brief career as a portrait painter and muralist, he was introduced to the world of publishing by a family friend who suggested comic books.
Standard Publications was the first door he knocked on. It turned out to be Vinnie’s lucky day. He was given an assignment – just a few pages of a romance story, “then we’ll see how it goes from there” his editor said. My dad was excited. A young husband and father, his foray into oil painting was a critical success and earned him a living but it hardly proved lucrative. Manhattan now beckoned.
Only a few months passed before Colletta was also drawing stories for Timely-Atlas Publishing -the company that one day would become mighty Marvel. What a crazy transition going from portraits to cartoons but, in a way, an organic circular progression for the boy who loved to draw pictures on paper bags in his father’s grocery store.
Stan Lee ran the show at Timely back then and the way Vinnie illustrated females excited him. Thus began an “all work you can handle” career that spanned 40 years. It wasn’t just the provocative poses and sensual embraces but also the illustrative details that, before then, had never been seen in comic books.
By the late 1950s, Vinnie began to focus on production art. The girls were just as beautiful but the art took on a simplicity unlike previous years. As the volume of work mounted, he took on assistants who would do everything from layouts to inking backgrounds. It became known as the Colletta Studio and became a stopping point for famous artists such as Wood, Baker, Sinnott, Steranko, Giordano, Giacoia and Orlando.
Eventually, the implosion of the comic book trade happened which pretty much ground an entire industry to a halt. Those publishing companies that survived severely cut back the number of titles. Never one to wait for opportunities, my father solicited work from small publishers such as Charlton and Dell – a Godsend not only for Vinnie but also the artists who came to depend on him to bring in the work.
The early Timely-Atlas romance art by Vince Colletta is a joy to look at. It has the depth one expects to find in fine art and it’s evocative. You want to plant a kiss on every one of Vinnie’s girls. The most beautiful women on earth. Who knew they could be found in the pages of a comic book?
From an interview with Vinnie’s daughter Roseannette: Q: Vinnie’s women are considered to be the most beautiful in comics. Why do you think he had such a talent for drawing females?
A: Because he thought women were beautiful. He was born in Sicily which is steeped in hundreds of years of sculpture and painting of the human form. It’s embedded in the culture and maybe in the genes
THE MOST BEAUTIFUL WOMEN IN COMICS, VINCE COLLETTA – LIFE AND ART is an enormous book featuring a compelling memoir of the artist. I want you to be so immersed in this world that you can’t put it down. It’s a view into a different time, place and culture. You’ll also read a thousand comments and conversations, an extraordinary number of them apologetically praising his work. And there’s those incredibly gorgeous women. Very few of Vinnie’s contemporaries ever matched the realism he provided with pencil and pen.
Stan Lee, Marvel’s former Editor in Chief and Colletta’s former boss: – “Just mention the name Vinnie Colletta and the first thing that comes to mind is his gorgeous portrayal of beautiful females in his artwork.
When I first met Vinnie and he showed me his art samples I was overwhelmed. I had never seen anyone depict beautiful women in romance stories as dramatically or as glamorously.
Years later, when the trend turned to superhero stories, Vince showed his amazing versatility by becoming a terrific inker of many of our main characters, with the countless issues he inked of Thor being his most memorable.
Not only was Vincent Colletta extremely talented, but he was also one of our most dependable artists. If ever another artist became ill and couldn’t meet his deadline, I can’t remember the number of times I’d give the assignment to Vinnie who would work through the night and inevitably deliver the work on time.
Indeed, Vincent Colletta was a fine artist, a valued co-worker and a dear friend whose work will be long remembered.”
Purchase the Kindle Edition of THE MOST BEAUTIFUL WOMEN IN COMICS – VINCE COLLETTA, LIFE AND ART here.
Martin Pasko, Veteran writer: I think Vince Colletta was one of the best inkers of his generation in the comics business, but — sadly, IMO — his reputation suffered unfairly for his consummate professionalism. Vinnie was the guy so many editors came to rely on to make up the time in the schedule lost to writers’ and pencillers’ slowness. Vinnie often had to cut corners — such as scrimping on backgrounds — to turn the pages around in time. And after SOME, but not all, editors had happily put the books “to bed,” they — and the fans — would talk trash about Vinnie being a hack — conveniently forgetting that NO creative choice Vinnie made was EVER in sacrifice to the clarity of the storytelling and what the reader was paying for. I always thought the way he was regarded in some quarters was grossly unfair…
…because I WORKED with him, and I saw what he could do when allowed to do it (he was a good penciller, too, but he never got much of a shot at it except on the romance books)…and I remember all the magnificent ink work he did, over guys like Jack Kirby and Gil Kane and many others, when he was Given. Enough. Time. To Be. The Best. He could be. Which was, IMO, magnificent.
Frankie, Vince is honored by having a son who respects his memory as you do, because it’s a testament to a guy who apparently did in his personal life what I always knew he did in his professional one: his best.
For readers not familiar with Vince Colletta, my father was an artist and inker, known primarily for his exquisite romance art and, later on, his contributions to the superhero genre. Debates over his techniques and methods will probably never subside.
Stefan Etrigan: For those of you who can’t be bothered to look, it’s the beautiful cover to FOREVER PEOPLE #3 by Jack Kirby, with surprisingly lovely inks by Vince Colletta.
Jose: I’ve always said Vinnie Colletta was pretty good, when he wanted to be. So I’m glad he’s in my sketchbook.
Ken Quattro: Mike’s quest of Romita art has undoubtedly affected the going prices of Romita art. But unless others also treasured that art as well, then Mike would be paying far less. It takes more than one person to affect the market. If he was “hoarding” Vince Colletta art, we wouldn’t even be having this conversation.
Richard Howell: If you’re one of those who enjoy the Kirby/Colletta THOR collaboration–and there are many who agree with you (many who don’t, too)–you’re in luck, because there are many, many pages from those issues on the market.
Doc V.: To which I’ll add that if anyone wants to get rid of that “crappy” Colletta romance art they might have, I’d gladly take it off your hands.
Ray Cuthbert: When the great inker Vince Colletta left the Kirby “Fourth World” books. Colletta’s rounded and romantic finesse was sadly lacking after that…
Ben Herman: No offense, Ray, but I have to disagree completely. When Kirby got rid of Vinnie “my best friend is my eraser” Colletta, the art improved.
Ray Cuthbert: No offense taken. My point is merely this: I liked Vince Colletta’s inking on Kirby most of the time. Vince had plenty of faults as an inker (like his erasures), but I liked what he brought to the table on Kirby’s work. There are only three inkers who worked on Kirby that I can think of who made Jack’s women look attractive — Wood, Sinnott and Colletta. Vince’s work as a top-flight romance artist made his inking of Kirby particularly appealing in my eyes.
Loston Wallace: I never cared much for Colletta’s inks over Jack, but I don’t hate them. In fact, I feel Colletta has gotten a little of a bum rap. Sure. He erased, hacked, and altered, but he was a professional. He got the job done. Mediocre or not, he was dependable. Don’t get me wrong. If Vinnie were alive today, I’d pray that he wouldn’t be the guy assigned to ink me. But there are two sides to every story. It seems Vinnie was interested in making money, not art. He was true to his convictions.
Tony Fornaro: How anyone can look at those Kirby/Colletta Thor’s and say “what crappy inks.” is beyond me. I personally believe that was the best Kirby art ever.
Greg Huneryager: I found the gallery very entertaining/ informative. It’s interesting but Colletta doesn’t seem to be that bad a match with Toth,
Ken Quattro: I agree about Colletta’s inks over Alex Toth. As bad a rap as he gets for what he did with Kirby’s pencils, Colletta “fit” Toth nicely. Given the fact that he inked Toth frequently, I’d assume that Toth approved of his work. Toth didn’t much care for inkers who overworked his pencils and put their imprint on them. Colletta’s “strength” was that he used a spare line.
Ken: Just curious,…(and pardon my ignorance on this) but is Vince Colletta still with us? I know little about him other than, unlike many out there, I sincerely enjoyed his work on early Kirby Thor pages. As a matter of fact when and if I ever break down to get my example of Kirby (my TOS by Colan has to come first!) then a Thor page with Colletta inks would probably be my choice!
AH: ouch better be careful mentioning something like that can get you into trouble on this list =O. AH remembers the last Colletta arguments!
Paul Smith (Former Marvel and DC penciler): Vinnie did brilliant work at DC. Adams, Kane, Kirby, Vosburg, Grell and a host of lesser artists that no inker could’ve saved. You’re free not to like it but it doesn’t change the fact that Vinnie was one of the best.
John Byrne (Former Marvel and DC penciler): I always enjoyed the time I spent hanging out with Vinnie in the bullpen.
Erik Larsen: (Former Marvel and DC penciler):Years later, I look back and get a kick out of it. It was the last issue of Thor that Vinnie Colletta ever inked and the last issue Stan Lee ever scripted, so it was like I was filling in for Jack Kirby as part of the classic Thor creative team. In retrospect, it really wasn’t as bad as I seemed to think it was. And it one case, what I took to be a shortcut on Vinnie’s part aided the storytelling. Vinnie had made an incidental foreground figure bald, which, in retrospect, eliminated a distraction that helped focus the readers attention on what it should have been focused on: the battle, which raged behind him. This foreground figure was unimportant — the battle was.
Stan had a good eye for talent. Starting his career at Standard Comics, Colletta was soon chosen to illustrate almost every cover in the Timely-Atlas romance library. Throughout the 1950s and early 1960s, Vince’s good girl art in the romance books helped draw attention to the fledgling publishing company that would one day become Marvel Comics.
