THE LEGACY OF VINCE COLLETTA

Vince Colletta played a significant role in Marvel Comics’ and DC Comics’ history, particularly during the romance era of the 1950s and 1960s and the Silver Age of Comic Books, but his contribution is often seen through a nuanced lens. Colletta was a prolific penciler and inker, known for his work on series like Thor and Wonder Woman. He was a pivotal figure in the successes of both Marvel and DC Comics.

THOR 144 COVER ART KIRBY AND COLLETTA

Colletta’s Contributions:

  1. Speed and Reliability: Colletta was incredibly fast, which made him invaluable when Marvel and DC faced tight deadlines. His ability to deliver work on time helped the publishers meet publication schedules, a critical factor for maintaining its growing popularity in the 1960s. The comic book industry operated on razor-thin margins. Missing deadlines could disrupt distribution schedules and hurt sales. Thus, finishing the book, even under rushed conditions, was more important than perfection. The chronic lateness of Marvel’s pencilers and editors was largely a byproduct of the creative and logistical challenges of producing comics at a breakneck pace. Vince Colletta’s speed made him an invaluable resource for meeting deadlines, but his involvement was often a symptom of the underlying pressure and disorganization in the comic book production process. While Colletta sometimes faced criticism for his rushed inking, his role was critical in keeping Marvel’s and DC’s mechanisms running during its busiest periods. His work ensured that the machinery of the comics industry continued to run smoothly. Colletta’s role was not in the creation of iconic characters or groundbreaking narratives; rather, it was in the efficient delivery of existing work. In summary, Colletta’s efforts were indispensable in maintaining production schedules.
  2. Work on Thor: Colletta’s inking on Jack Kirby’s pencils for Thor (particularly during the “Tales of Asgard” era) helped define the visual aesthetic of the series, giving it an ethereal, mythic quality. His work on this series has been praised for its romantic and soft texture, which complemented Kirby’s powerful designs. Vince’s inks on Thor, particularly during his work with Jack Kirby in the 1960s, are renowned for their romantic and illustrative characteristics. Colletta’s delicate, soft linework gave Thor a unique, almost dreamlike quality that perfectly suited the mythological and cosmic themes of the series. His inks added a sense of grandeur and mysticism to Asgard and its otherworldly landscapes. Colletta’s inks on Thor were highly expressive in their ability to convey mood, myth, and atmosphere, and they remain an iconic part of the series’ visual legacy.
  3. Versatility Across Titles: Colletta penciled and inked for a variety of titles, showing his adaptability. His ability to switch between projects was an asset for a company trying to expand its portfolio during its rise to prominence. Vince lent his talents to an impressive variety of genres, including superheroes, romance, war comics, and horror titles. His ability to adjust his style to different types of stories showcased his flexibility. Colletta worked with a diverse roster of pencilers. Each penciler had a distinct style, and Vince adjusted his inking to complement their work. His Thor inks were soft and romantic, emphasizing mythological grandeur while on the Fourth World books, he provided clean, bold lines to fit the dynamic action. Vince Colletta’s ability to shift between an illustrative style, as seen in Thor and Warlord, and a bold graphic style, as in Wonder Woman and The New Gods, underscores his versatility as an inker. This adaptability allowed him to tailor his inking to suit the tone and needs of different projects, showcasing his range as an artist. This style was more in line with the sharp, dramatic visuals typical of superhero comics, focusing on clarity and impact rather than atmospheric nuance. Kirby’s Fourth World books required an inker who could keep up with the bold, innovative designs of the series. Colletta adapted his approach to highlight the graphic, almost surreal nature of the art, contributing to the high-energy storytelling

Controversies:

  1. Simplification of Art: Colletta has been criticized for simplifying or even erasing detailed elements of penciled art to meet deadlines. This has led to mixed opinions on his legacy, as some see it as a pragmatic choice for the sake of deadlines, while others view it as a disservice to the original artists’ vision. The comic book production schedule in the 1960s and 1970s was notoriously hectic. With monthly releases, editors sometimes found themselves needing last-minute help to complete a book on time, and Colletta was their most reliable go-to. While pencilers’ complaints may feel valid from an artistic standpoint, the issue of deadlines raises important questions about accountability. If pencilers or editors turned in their work late, they bore some responsibility for the time crunch that necessitated Colletta’s interventions. Even under tight deadlines, Colletta demonstrated that he could vary his approach to suit the project. While this sometimes meant simplifying detail, his overall ability to shift between stylistic demands is a testament to his skill.
  2. Polarized Reputation: Among artists, his reputation was divided. Some appreciated his professionalism and dedication, while others felt his work could sometimes undermine the complexity of the penciler’s designs. Vince embraced the practical side of being an artist in a fast-paced, commercial medium. Vince Colletta’s prominence in pencil and inking the majority of Marvel’s romance covers and stories in the 1950s was a combination of his artistic style, work ethic, and the market demands of the time. His soft, graceful artistic style fit the romantic, idealized tone of these comics, while his speed and versatility made him a key player in the high-output world of 1950s comic book production. Colletta’s work in this genre laid the foundation for his later contributions to superhero comics, where his ability to adapt to different artistic demands continued to serve him well. Colletta’s involvement as an inker often signaled that a book was behind schedule. He was seen as a reliable “fixer” who could ensure the job got done when the penciler or inker initially assigned to the book couldn’t finish in time. Colletta was a crucial piece of the larger puzzle that allowed Marvel and DC Comics to thrive.

A Crucial Role

Colletta’s contributions were vital. His work ensured that the machinery of the comics industry continued to run smoothly. Colletta’s role was not in the creation of iconic characters or groundbreaking narratives; rather, it was in the efficient delivery of existing work. Vince Colletta was also chosen to be Art Director at DC Comics. In summary, Colletta’s efforts were indispensable in maintaining production schedules. Without Colletta, some books might have missed deadlines. Vince Colletta’s loyalty leaned heavily toward the publishers, prioritizing deadlines and production schedules over the concerns of pencilers. This approach made him an indispensable asset to companies like Marvel and DC but also a divisive figure within the comics community. Colletta likely saw his actions as necessary compromises. From his perspective, a simplified or altered page that made it to print was far better than a beautifully detailed page that missed the deadline and delayed an entire book.  Colletta’s legacy illustrate a central tension in commercial art: the balance between creative expression and practical constraints.

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VINCE COLLETTA AND AI

Ask AI a few questions about Vince Colletta and this is what you get!

Artist Vincenzo Colletta (October 15, 1923 – June 3, 1991) was born in Casteldaccia, Sicily on October 15, 1923. Vince, as he came to be known after emigrating to The United States, became the most published artist in history.

Vincent Colletta  was an American comic book artist and art director best known for romance art and as one of Jack Kirby’s frequent inkers during the 1950s-1960s period called the Silver Age of comic books. This included some significant early issues of Marvel Comics’ Fantastic Four, and a long, celebrated run on the character Thor in Journey into Mystery and The Mighty Thor.

THOR 159 ART BY KIRBY AND COLLETTA

Colletta was also known for drawing the most beautiful women in comics. His first success in comics came during the boom in romance comics in the 1950s. Colletta loved to draw beautiful women and thus the romance comic industry was perfect for him.

ROMANCE ART BY VINCE COLLETTA

He was named DC’s art director in May 1976, resigning the post in May 1979. His time there included discovering future industry star Frank Miller.

YOUNG LOVE 80

Colletta was regarded as one of the American comics industry’s fastest inkers and a reliable professional to call upon when a comic was in danger of missing a printing deadline. He nonetheless has been criticized by a range of fellow professionals and comic historians for erasing various details in a penciler’s work, both in order to lessen the inking burden and to help meet time constraints during an industry era when printers charged then-prohibitive thousands of dollars for missed deadlines, which resulted in idle presses.

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NOW AVAILABLE ON AMAZON: HARDCOVER LIMITED EDITION OF DRAWN TO BEAUTY

Vince Colletta Romance Covers

I wrote a book! Vince Colletta was a beloved figure, especially to those in the field of publishing. So many of his contemporaries took the time to write to me about Vinnie, the person, as well as Vinnie the artist. And many of their remembrances and stories are contained in this book, DRAWN TO BEAUTY – Vince Colletta – Life and Art by Franklin Colletta, being published by Black Spring Press.

Looking at the flip side of the coin, to comic book aficionados, Colletta was as polarizing a figure as could be dreamed up by any writer. A deadline-whipping machine, Vince saved more Marvel and DC books from missing their printing schedules than anyone by a large margin. In doing so, however, it was often necessary to simplify the art which rubbed many pencilers as well as countless readers the wrong way. It didn’t matter that these jobs were late due to the gaffes of pencilers and editors, Vinnie shouldered the criticism. Critiques and sometimes heated discussions about my father have lasted to this day.

Warlord Grell and CollettaDRAWN TO BEAUTY is a work of non-fiction that reads like fiction simply because the unvarnished life of this man is difficult to imagine. This account of his existence, which begins in Sicily, slaloms through New York and New Jersey, only to touch down in a seemingly infinite afterlife, is a thrill ride from cover to cover. It is also a poignant biography which will have you shaking your head and wondering how these stories could be real.

Love Romances 69 Art by Vince Colletta

Best of all, numerous illustrations created not only by Vince, but also in collaboration with other talented artists such as Jack Kirby and John Romita are found within. From Romance Comics to Superheroes, Colletta made certain that the females were beyond stunning. Vincent Colletta is the most published artist in the history of comics because he did the impossible. And he did it beautifully.

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LOVE VINNIE COLLETTA? NO APOLOGY NECESSARY

Vince Colletta Romance Covers

Art lovers, comic book aficionados, fanboys…whatever we prefer to call ourselves, are often  judged by the opinions of our peers. Controversies abound on subjects like “Did Stan or Jack create the Marvel universe” or the quality of current comic book art compared to the artistic efforts of days gone by. And as is true in the realms of politics and religion, our opinions often frame who we are in the minds of others. As crazy as it sounds, people are chastised and even shunned because of their likes and dislikes. Some of us set our hair on fire over superheroes or the creators who generated these products. Take the case of one Vincent Colletta – prolific and oft-debated artist of the Golden, Silver and Bronze eras of comic books. If you like his work, should you have to apologize for it?

Seth Smith: Definitely one of the best Colletta covers. Seems like just a few years ago you wouldn’t have been able to post such praise for Vinnie without some deluded fanboy hunting you down.

Ray Cuthbert: I’ve said it before — Colletta brought romance sensibilities to Kirby’s bold and dynamic pencils, which is why Colletta-inked Kirby gals were so pretty while Royer’s and others were not, in MY opinion.

Ray Cuthbert: I’d be in big trouble on the Kirby-L. I prefer Stan & Jack to Jack and Jack, and I prefer Kirby/Colletta to Kirby/Royer!!!!

Doc V: Aarrgghhh!!!!! You’d be doomed, Ray!!!!!!!!!!!!!!

Coop: Damn right!

Bill Howard: On my tombstone it shalt read, “And he dared to like Vinnie Colletta.”

Over the years I’ve taken great pleasure from reading debates about my father. It’s nice to discover complimentary comments and I’m sometimes annoyed by unwarranted criticisms. The most absolutely precious gems in my collection of quotes, though, are the many examples of apologetic praise a few of which I’ll share.

Scooter: Damn! My whole world’s falling apart…(actually I quite like Vinnie’s Tales of Asgard work).

Ucleben: I like Mooney!! ‘Course I like a lot of Colletta’s work too. Different tastes, I guess.

Lyle Tucker:    Here’s where we differ – I LOVE Vinnie’s Tales of Asgard work.

AUDIENCE MEMBER: I hope I don’t get stoned for this but I always liked Vince Colletta’s work better than Mike Royer’s.

Plok: You know, personally, I’m kind of a fan of ol’ Rich’s…but then I like Vince Colletta’s inking, too, so I’m not sure you can go by me.

Ivan Rakitic: I know this will probably get me in trouble, but Vince Colletta was always my favorite inker on Kirby.

Al Sjoerdsma: I am among the minority who actually like Colletta’s inking on Kirby’s Thor, bringing it an airiness that fits into the fantasy of that strip.

Punyhuman: I also love his Thor art inked by Vince Colletta, even though I’ll catch hell for it! I loved it way back in the 60’s when I was buying it off the newsstands, it’s nostalgic now.

love-vinnie-colletta-no-apology-necessary/

Mel Higgins: I don’t know what it is, but the Kirby Thor combination kills me. This is also my first exposure to a silver-age Kirby page (I have a Captain Victory page) and I was floored when I saw the Thor page in person when it arrived today. So much energy there. I can’t stop looking at it. I know that Vince Colletta is not considered the best inker on the Thor pages, but I think he did a tremendous job on this one.

Ray Cuthbert: Congratulations Mel! The first Kirby page I ever bought was also a Kirby/Colletta Thor page (now long gone). Quite frankly, I always thought that the two artists were a perfect match for the subject matter. Kirby’s power and Colletta’s rounded edges and romantic sensibilities made Thor the title it was for me. Kirby + Sinnott on FF, but Kirby + Colletta on Thor (or the DC Fourth World stuff — for me, anyway!)

Lynn Walker: I’m embarrassed to admit I prefer the Colletta inks, but not by much.

Prof H: ANYWAY… after 3 horrible issues, Vince Colletta took over… and was a HUGE improvement!!! (Mark Evanier disagrees, but to hell with his opinion.)

Ray Plasse: Despite Colleta’s shortcuts I really enjoyed the different look he gave Jack and Thor but hey……….I was only a kid then so what did I know?

Chris Murrin: I like Everett, but Colletta was my favorite. I know, I know…but still, he’s my favorite on Thor.

love-vinnie-colletta-no-apology-necessary/Iron Maiden: I have a confession to make about Jack Kirby’s “Thor”. I liked some of the art better in that title than some of his FF work but I would probably get scorned by Kirby purists… they hate any of his work to be touched by Vince Colletta!

Merlin Haas: Colletta has many, many faults, but I’m going to commit heresy and say that sometimes he removed some unnecessary background clutter and the finished panel read better than the original.

Mike Driscoll: It looks like Colletta inking. I’m one of the few that likes Vince Colletta.

Henry R. Kujawa: This time, inks are from Vince Colletta– and what surprises me is, it LOOKS REAL GOOD!!

Patrick McEvoy: I know I’m nuts, but as good (and accurate) as McLeod’s inks are, I prefer the Colletta version. I know, it’s a personal failing.

Mark Borello: Yeah! Love Colletta. Love Colletta’s inks on Kirby…Go on…throw your rocks….

Allen Smith: I’m gonna ignore you guys.  You’re turning me into a Colletta fan, almost!

Stan Taylor: What in the Hell kind of parallel/alternate/Bizarro Universe is this new list?????? 😉 People saying nice things about Vinnie. It has left me speechless!!!!!!

Doc V: Hey! Do you think our old pal Bruce Lowry would’ve liked this list? Blake might have had to ban him after he responded to this Colletta love-fest!

Plausible Prose Man: This page shows us that Vince wasn’t such a bad draughtsman after all. I might upgrade him from “hack” to “jobber”

Tom Field: When I was a kid in the ’70s, I was nuts for Sal’s CAPTAIN AMERICA – still am — and much of that run was inked by Vinnie Colletta!

Al Gordon: Wow! A Jack Page Inked by Vinnie that I don’t hate! Few and Far Between.

GrapeApe: As much as I hate to say it, I have seen worse. At least Vinnie got a nice thick and thin outline mixed in with his scratching and erasing.

Mister M: I never knew there were pro- and anti-Vince Colletta factions. Go figure.

love-vinnie-colletta-no-apology-necessary/Doc V.: Whereas I followed the 4th World stuff while Colletta inked it, I soon dropped out after Royer took over (yes, I’m one of THOSE)….

Mikeyriffhard: And say what you will about Vinnie Colletta, but I think his inks on this title were absolutely perfect. But that’s me…

John S: I was gonna say that I thought Vinnie did a pretty good job on this page…but I won’t, ’cause I don’t want Krackles to have a seizure!

Ferran Delgado: Not even Colletta could ruin his powerful storytelling…Although I painfully  agree that he did worse jobs than this one…

Profh0011:  Coming soon: I just read a DD comic where Colletta inked Colan–AND HE DID A DAMN GOOD JOB!!! What’s the world coming to???

Bill Howard: Personally, I like Colletta’s inks on Thor, but I realize I’m in the minority. Why did you buy the piece in the first place, if you didn’t like Vinnie’s inks? It’s not like you didn’t know what you were getting. Different strokes for different folks I suppose. The last thing I would call Colletta’s inking is inept, but I don’t want to resuscitate that old argument…

Ianto: Best inker? The Akina and Garvey team from back when. Or maybe Dan Green. The hair always looked so good in his books. Worst? I actually liked Colletta so I can’t list him.

Roquefort Raider: I think the Classic Board regulars may help limit the number of immature arguments. Hey, we can even argue the merits of Frank Robbins’ art or Vince Colletta’s inks in a civil fashion!

Dan Bailey: *ahem* Sez you!

Guy Dorian, Sr.: I have come to appreciate Vinnie more now that I am older and wiser… but still hate most of it.

T_Guy: As far as the art goes, it must be said that Colan and Colletta is better than I had expected- (On Tomb of Dracula #2) but, on the other hand, I had expected Colletta to completely ruin Colan’s delicate work. His style does actually work over Colan’s, much as admitting this feels like having a tooth extracted.

Divided into sharply polarized factions over the merits and faults of Vince Colletta, fans have vaulted this seemingly innocuous conversation into publishing lore. The great Aussie comic book artist, Eddie Campbell, had an interesting take on the phenomenon with which I’ll end this article. Love Vinnie Colletta? Don’t apologize.

Eddie Campbell: A while back I wrote a post here about how Colletta was my favourite comic book inker of the 1960s. For some unfathomable reason beyond all absurdity, it was and continues to be the most visited post I’ve written. I almost said popular there, but that would be the wrong word, for I was vilified in many places for uttering such an opinion. Even people you would think could not possibly give a hoot, I found them stopping me in the street, in San Diego during the convention, the only place everybody knows my name, sadly, and even somebody such as Gary Groth had to get his two cents in and call me an idiot. People generally can’t stand by and allow you to have an opinion they don’t share.

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THERE’S SOMETHING FISHY ABOUT THIS ARTICLE.

Vince Colletta Romance Covers

A fish illustrated by Vince CollettaPeople are talking. Yes, indeed. One would think that we’d see fewer discussions about dead artists with the passage of time, especially those who toiled at the comic book level. There are exceptions such as the amazin’ Jack Kirby whom many credit as being the primary creator of the Marvel Universe. But Vinnie Colletta??

There are these….

Kevin Phillips: I’m somewhat fascinated by Colletta’s work simply because it made no sense to me. There didn’t seem to be any consistent rules that he followed. He’d resolve things in any number of ways.

Bruce McCorkindale: Few things make me want to cry harder than Vince’s chicken-scratchy feathering. It stops and starts, rarely follows a logical light source, and looks more like someone was gashed with tiny razor blades.

Kirk Hastings: I personally liked Vince Colletta’s “scritchy-scratchy” (as it was called) inking style, and the fine lines he used on muscles and shadowing. Some other inkers on Thor were good too, but Colletta had a distinct style that I (as an artist myself) liked.

Erik Larsen: There are always weird lines in Vinnie’s inks which make me ask, why did he do this and what could the pencils possibly have looked like to compel him to put those lines there?

There are those….

Mitchell Sternbach: I am an artist and Colletta is like bad music. He can’t draw faces, and for all his “fine lines” important details in the pencils disappear with his inks. I am sick to death of seeing this ongoing representation continuously being posted- it’s not the Kirby I fell in love with, so many, many examples of inkers who did right by him, including himself. because I don’t like One of them devalues my opinion? Colletta is no Hal Foster, no Alex Raymond, no Caniff or Kubert. Colletta is not suitable for or deserving of inking Jack Kirby’s pencils- unlike the great Sinnott or others I’ve mentioned. Don Heck was another lame, wimpy artist I could live without. But none annoy me as much as when they detract from the brilliance of the pencils behind this work. I’d love to see this exact drawing as inked by Sinnott, or, as I said, most anyone else.

Kirk Hastings: Mitchell, you get “sick” and are “annoyed” an awful lot. Maybe you should take a laxative or something and lay down for a while.

Spirits….

Spirit World 1 Art by Kirby and CollettaAnd Spirit talk:

Paul Tobin: This Jack Kirby / Vince Colletta page from Spirit World #1 recently went for sale at auction, and I can’t wrap my head around this being Vinnie’s inks. Especially that first panel, but then many of the brushstrokes in the man’s face, etc. What’s your thoughts, Comic Art Twitter?

Jerry Ordway: I see Colletta here, but good Colletta.

 G. Arnold: I actually quite like a lot (not all) of Vince Colletta’s inks despite the known shortcuts. This definitely has his imprint to my eye.

More fish….

SUBMARINER 71 ART BY TUSKA AND COLLETTAMore talk….

Joe Rosas: Vinnie stories were legendary – but so were stories about Al Milgrom – no one gets it til you’ve done your time there and realize how the guys who have saved countless of books from missing shipping get no respect – they are masters of their craft – Vinnie could ink and Al was just fantastic – when they had proper deadlines – and when you have a deadline where a books 10-22 pages are due overnight – quality will take a hit – and consistency will be strived for – it’s sad, but it’s a regular problem with comics

Rod Mollise: Vinnie could ink for sure…among the best when he wanted to be and had the time to be. 😉 He wasn’t just used as a rescue inker, either.

Peter W Roberts: Cutting corners Colletta

Darryl De Angelo: Go Vinnie!

And, of course…. a girl!

Brides In Love 11 Art by Vince Colletta Studio

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Jack Kirby’s GALACTUS – As Portrayed by Vince Colletta and Joe Sinnott

Vince Colletta Romance Covers

Here’s a comparison showing how two different inkers approach the same subject. GALACTUS is a character that first appeared in Marvel’s Fantastic Four series.

Jack Kirby's Galactus inked by Vince Colletta

Jack Kirby's Galactus inked by Joe SinnottVinnie’s version goes beyond maintaining the force of the Kirby Krackle. Colletta made the artwork sizzle! By using various graphic and illustrative techniques, he brought Galactus alive, he’s coming toward you and behind him, the reader can almost hear the mayhem and the energy from its thunderous explosions.

The Sinnott version is also excellent. It maintains a graphic Kirbyesque look throughout. Although the inking is beautifully detailed, the page is much more static than the Colletta rendering. Galactus is just as menacing but his appearance is decidedly less lifelike. Nevertheless, it is forceful inking.

These examples represent the apogee of comic book art. From the creative mind of Jack Kirby to the interpretations by the artists chosen to bring forth the power of Galactus, Vince Colletta and Joe Sinnott.

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FASTER THAN A SPEEDING BULLET

Vince Colletta Romance Covers

You were expecting Superman? Nope – even faster.

vincecolletta.com/faster-than-a-speeding-bullet/

While writing this article I scanned a few images from Starfire #6, Art by Mike Vosburg and Vince Colletta. I hope you enjoy them.

Vince Colletta Starfire artThere are things that some men can do that others can’t.

vincecolletta.com Starfire artPart of the Vince Colletta legend is the fact that he was unquestionably the fastest inker in the business. As a result, editors, whose writers, pencilers, inkers or more likely through their own bumbling, caused major delays, were constantly asking him if he could ink entire books over the weekend.

Accepting these assignments cost him dearly in terms of his reputation but he never declined to take the work. He needed the money and the opportunity was there to help the company so this scenario became an almost automatic weekly occurrence for the twenty years to follow.

Rarely a weekend went by when Colletta didn’t have an eighteen or twenty pager to fire off before Monday morning. And come hell or high water, if he hadn’t inked them in his NYC studio or in Marvel’s or DC’s offices, he’d be on his way into the city at 5:00 AM with a stack of finished pages he’d inked at home.

CollettaOften, he must have labored over his drawing board with what had to be only the energy of desperation. It’s hard to believe that Vinnie was the only inker who could combine speed and professionalism with a willingness to work insane hours. But editors called on Mr. Colletta almost exclusively in emergencies. I think that he considered himself a faithful servant of the institutions for whom he plied his trade.

Starfire 6 Art by Vosburg and CollettaRegarding some of the pencils he was saddled with, correcting out-of-proportion figures and doing finishes over mere breakdowns were the exception but when they occurred they devoured his time. It compares to asking a sprinter to throw a shot put in the middle of a race. There were comic book pencilers who knew they were serious artists and those who only thought they were. You can guess from which ones the editors heard the loudest cries when some of their (tardy) pencils were erased.

Starfire 6Jerry Novick: The Colletta issue – I agree with the sentiment that some inkers look good on some pencillers and not so good on others. Colletta has a huge body of work, some fantastic, some controversial, some journeyman-level, some above and beyond his peers. But his contribution to helping get the books out on time can never be under-sold.

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JACK KIRBY, VINCE COLLETTA AND THOR – ASGARD REALIZED

Vince Colletta Romance Covers

An inspiration came to Jack Kirby one day. This wasn’t unusual since Jack’s mind was in a constantly creative mode. The moment he and Stan Lee made the decision to move forward with the Asgardian adventures of Thor the Thunder God, all of comicdom stood up and took notice. From the start, as it became the new feature saga in the Journey into Mystery series, the concept was a hit.

Illustrative Thor Art by Jack Kirby and Vince CollettaBeginning with issue #83, Journey into Mystery  became Thor’s book. Jack penciled most of the covers and stories, of course, while the finished art was supplied by various inkers such as Joe Sinnott, Dick Ayers, Steve Ditko, Al Hartley, Sol Brodsky, George Ruossos, Chic Stone, Paul Reinman and Don Heck. Using bold, graphic-style inks, the stories were good but the art resembled most of  Marvel’s other books. That is until issue # 106 when Thor was transformed from contemporary to primal. The mythological land of Asgard was born.

Scooter: Damn! My whole world’s falling apart…(actually I quite like Vinnie’s Tales of Asgard work).

Lyle Tucker:    Here’s where we differ – I LOVE Vinnie’s Tales of Asgard work.

Dane Bjorklund: Several of the early THOR and Tales of Asgard issues were inked by a gentleman named Vince Colletta. I think that his name has become linked with his THOR work and the THOR comics that Mr. Colletta inked were among the best. THOR #126 is my favorite comic book cover of all time, drawn by Jack Kirby and Vince Colletta.

Graphic Thor Art by Jack Kirby and Vince CollettaVince Colletta had always admired the great artist and storyteller Hal Foster.  The delicately rendered Prince Valiant stories gave my father the idea of speaking to Stan and Jack about presenting Thor in a different light. By creating a rough-hewn world more reminiscent of Norse legends, Journey into Mystery’s backup story, Tales of Asgard, gave readers a glimpse into Thor’s world. And right from the first story the controversies began. While Tales of Asgard was hailed as a creative breakthrough by most – I remember the pride that Vinnie felt reading and hearing the accolades – some comic book fans voiced displeasure with the artistic departure.

Rick Young: It amazed me the first time I saw criticism of Vince Colletta’s work. I get that he simplified some of Jack’s backgrounds and I like those intricate details. This panel (This Battleground Earth) has such a rich/finished look that is typical of Kirby & Colletta.

Erik Larsen: In the back issues I recently bought there were rave letters when Vinnie started inking Tales of Asgard.

Erik Larsen: But please–don’t confuse popularity with quality. McDonald’s has served billions of hamburgers, after all.

Pierre Comtois: Overnight it seemed, with Vince Colletta replacing Stone, the regular Thor strip acquired the same timeless, antique feel as Colletta’s work over Kirby in the Tales of Asgard feature.  The inking style changed the whole feel of the book, making even down-to-earth stories such as those featuring the return of the Absorbing Man seem grander than they would’ve been with Stone.  Whether it was the inspiration of Colletta’s inking, a continuation of the kind of stories that they’d been telling in Tales of Asgard or simply the trend that Marvel had been drifting towards through its first two phases, Lee, Kirby and Colletta now launched the Thor strip into an unprecedented series of inter-connected stories whose structure was unlike anything done in comics before.

The fine line work, delicate cross-hatching and detailed delineation of anatomical features were a source of annoyance to readers used to seeing “comic book art.” But by issue #116, Journey into Mystery, Thor and Asgard were all Jack and Vinnie and they became what many fans and professionals alike still feel is the greatest comic-book series ever – Thor.

David Philpott: I enjoyed the Kirby/Colletta Thors as a kid (bought as back issues). And I still enjoy them 25 years later. They are quality entertainment. The Tales of Asgard back ups rocked.

Allen Montgomery: I got the Tales of Asgard hardcover not too long ago. They were definitely playing to the newsprint back in the day. And not just Colletta. All the inkers turned in some pretty rough work. Colletta was the only one that attempted texture of any kind. The rest seemed to favor the “blotch” technique.

George: I don’t think Thor as a book worked until Colletta came on board. As good an inker as Stone was on Kirby he was too nice for the Asgardian world. The only other inker who came close was George Roussos in some of the early “Tales of Asgard”.

Al Sjoerdsma: I am among the minority who actually like Colletta’s inking on Kirby’s Thor, bringing it an airiness that fits into the fantasy of that strip.

Klar Ken T5477:  I like VC’s inking on Thor too. Why not denigrate Chic Stone or Syd Shores as well? Vinnie met his deadlines and his work on the Kirby DC’s was far superior to Royer and D. Bruce Berry.

Mark Engblom: You’re right….Colletta did a pretty good job on the Kirby Thor comics. Just as with Sinnott’s inks, Colletta was able to “soften” the blunt and (occasionally) grotesque extremes of Kirby’s pencils.

Slick and Detailed Thor Art by Jack Kirby and Vince Colletta

A common criticism of Vince Colletta’s superhero inks has to do with the numerous “scritchy-scratchy” pen lines he used to define musculature. Rather than the quick brush swipes and symmetrical shadow lines used by others, Vinnie preferred the illustrative approach he learned in art school working with oils. He has been unfairly pigeonholed as one-dimensional, however, as the image above clearly proves, Colletta could ink in a bold, graphic style with the best of them.

PunyHuman: Beautiful, positively Beautiful (Tales of Asgard)!! What a spectacular collection !!

Tom Lammers: I know a lot of folks don’t like Colletta as an inker, especially over Kirby pencils, but I say as a penciler for this kind of story, he is excellent. He had a real flair for capturing emotion, as the heroine vacillates between sheer joy and dejection, interspersed with uncertainty, pensiveness, and regret.

Jay Kinney: There are some people, me included, who think that the “Tales of Asgard” artwork is the best of any by good old Jack. Vince’s inkings are great and seem to catch the ancient flavor.

Andrew W. Farago: Not to damn these books with faint praise, but Thor’s got to be the best superhero inking of Vince Colletta’s career (Colletta’s romance art has its moments). In black and white, especially in the Tales of Asgard stories, there’s a bit of a Prince Valiant vibe to the artwork which I don’t think would have been there with someone like Joe Sinnott inking the series, which probably would have taken the book in entirely different directions.

Alan Kupperberg (Former Marvel Artist): And then, my last issue 328. Vinnie Colletta finally inks my Thor. I went out with nice inks.

Lyle Tucker: I love those Colletta THOR’s (and especially the TALES OF ASGARDS) and I stopped buying NEW GODS after Royer came aboard, because by that time Kirby needed Vince’s artistic eye to “fix” his increasingly sloppy work – for whatever that’s worth, I thought I’d set the record straight as far as where I stand on the merits of Vince’s inking (and, yes, he DID indeed draw some damn fine romances in the ’50s).”

Norris Burroughs: The amount of inking on this page alone (THOR 142) would overwhelm a less than confident inker, so we must praise Colletta for his sheer tenacity and remember that he was often called on to finish Kirby’s detailed pencils in order to meet a deadline.  Yes, he can be criticized for his faults, but we can also praise him for his strengths and accomplishments.

David J. Bromley: Many thanks for the even approach to a misunderstood & talented inker. Colletta had a ‘fine art’ approach that many cannot understand.

Aaron Noble: It’s in the “anatomy and fine detail” that you appreciate Colletta’s contributions.

jon m: Thor was a good book for Colletta, as opposed to FF which was a horrible match. I actually preferred his inks on the Fourth World books over Royer. Maybe it just eased the transition to DC.

Ian Miller: It’s sad that Colletta gets such a bad rap, because he was capable of some amazing work. If you ever get the chance to see any of the Kirby Thor pages he inked in person you’ll definitely see that he had some great chops. His feathering and fine linework took Kirby’s art in a more refined direction that you never really saw other inkers take advantage of.

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STAR WARS GIRLS NEVER LOOKED SO GOOD

Vince Colletta Romance Covers

Vince Colletta had regular gigs throughout his career. While it’s true that he was consistently tasked with inking late books with breakdowns by unfamiliar pencilers, he became famous for the romance stories he illustrated and the finishing touches he applied to superhero comics like Thor, Wonder Woman and Submariner. Every now and then a random story inked by Vinnie will present itself. The Star Wars series had regular artists but Number 64 was a one-off, penciled by Joe Brozowski and inked by Vince. It was brought to my attention as part of Marvel’s Star Wars – The Original Years – Volume 4, published in 2019.

star wars art by brozowski and collettaThis volume contains 18 Star Wars issues. The artists featured are some of the best in the business including Walt Simonson, Tom Palmer, Carmine Infantino, Ron Frenz and Kerry Gammill. The art throughout the book is stellar with one notable exception – the females. #1, other than the Brozowski/Colletta issue, they are wholly unattractive and #2, they look more like cartoon characters than real people.

STAR WARS 64 BROZOWSKI COLLETTA There was a certain beauty in females which Vince Colletta was able to capture with pencil and pen that no other artist in the realm of comics could match. And it wasn’t just their faces and figures. Vinnie could portray a host of different expressions which added tremendously to what the writers were attempting to convey.

STAR WARS GIRLS NEVER LOOKED SO GOODJoe Brozowski had a very angular style. It is notable that Vinnie was able to soften his pencils to such an amazing degree. Turning graphic art into illustrative art is no small feat. As you can clearly see in the example below, the Star Wars finished art bears little resemblance to what the original pencils must have looked like.

ART BY JOE BROZOWSKI

Thank you, Marvel, for sending this Star Wars Epic Collection, because had you not conveyed it to me, I would never have seen this exquisite collaboration.

The Most Beautiful Women in Comics? You betcha!

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